上海博物馆的董其昌大展影响深远，对于董其昌，深居简出的知名画家了庐
认为，董其昌在鉴赏历代书迹中把对自己有感悟的优秀笔墨，表现在自己的作品之中，“他的作品与一般以表现作品形象和形式为主的职业画家是有本质区别的，也因此很难为后来的职业画家所理解。实际上董其昌在艺术创作中的笔墨精神用现代的话来说就是抽象的表现主义。他和近代的黄宾虹一样，都以笔墨来表现自己的感觉。 后来的文人画家中最得其精神的是八大山人，并直接影响了后来的金农和齐白石。”
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