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“作为《富春山居图》实景地，富阳的自然景观有强大的文化力量，中国的山水是可居、可览、可游的。”北京故宫博物院原院长、故宫学院院长单霁翔17日现身杭州富阳时表示。
以浙江富春江两岸初秋景色为背景的《富春山居图》，是元朝画家黄公望的作品，完成于1350年，对后世画风极具影响，被称为中国十大传世名画之一。1650年因为火焚该图分成两段，前段为《剩山图》，后段世称《无用师卷》。
“我第一次看到《富春山居图》，是《剩山图》和《无用师卷》在台北故宫博物院合璧，分开660多年后能再次完整呈现我觉得很感动。”踱步于富春江畔，单霁翔用手中的手机拍下了《富春山居图》实景地富阳的山山水水。在其看来，富阳在打造“现代版富春山居图”最美示范区上，有着独特的优势。
“富阳的青山绿水让我这样的北方人很羡慕。这里的自然景观有强大的文化力量，孕育了许多历代名人。这些文化底蕴需要我们生动地去揭示、展示，通过多种形式去传播。如是熏陶出来的青少年，对家乡的热爱会根深蒂固，对地域文化充满尊重，对文化的未来充满信心。”单霁翔说。
其以《千里江山图》为例，“5年前，欣赏《千里江山图》的人寥寥无几，但现在它成为了一幅‘明星图’，出现在很多场合。《富春山居图》就具备这种潜质，这幅画应该走向更广阔的领域，让人们去理解，什么是中国的山水。中国的山水，可居、可览、可游，这种意境正是当下我们要弘扬的人居环境，此方面《富春山居图》还有很多的打造空间。”
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